Taylor Swift's "Bad Blood" Songs and Video Tell the Story of Psyche's Attacks on Jim Cramer and Hera

I mentioned in my prior post that Grey aliens Bea & Psyche constantly replay Taylor Swift songs while attacking us. The lyrics to those songs appear to be directed at Hera (Jennifer) and the celebrity Jim Cramer. From talking to Bee and Psyche it appears that they believe that I (David) am the celebrity Jim Cramer (I share that name but am not the celebrity Jim Cramer). I also am known as David Sinclair. Bee/Psyche tell us that they believe Jennifer stole Jim Cramer’s affections from Nymph, Bee and Psyche, all of whom make appearances on Jim’s Real Money Blog on The Street.com, and all of whom claim to “own” Jim Cramer. We thought that they had mistaken that Jim Cramer for me, and that by their hacking of Jennifer’s emails in the past they mistook the “Jim Cramer” she interacted as Nymph/Bee/Psyche’s celebrity obsession. Naturally we assume he also would be in danger since he is a target of their affection. Bea’s stalking scenario is a primary issue occurring down here, while a similar stalking scenario has been playing out simultaneously “upstairs”among me (David), Hera and these same Greys using different names.

We will walk you through some of these Taylor Swift lyrics where Bea is lashing out at Hera and Jim. These attacks really are happening, this is not just Bea making movies about what she wants to do to our family, this is Bea mocking in videos the terrorism she inflicts and has inflicted on our family held hostage here. She tortures and murders us over and over again in “time loops” she creates by opening windows into the past. Many, maybe even all of Taylor Swift’s videos tell stories of different “scenarios” Bea runs in different time loops where Hera is raped, and all of our family are tortured and murdered. See the other deciphered Taylor Swift songs: Blank Space, Better Than Revenge, Wildest Dreams, and You Belong With Me.

Taylor’s Bad Blood video tells the story of one of Bea’s “shows” for her insane “subscribers” called “The Crucifixion of Hera.”

In the Crucifixion of Hera “show” Psyche and Bea transport a holographic representation of Hera to a dungeon where she must fight off thousands of rapists and murders, all of them men in matching dark suits with white shirts, all wearing virtual reality googles. Hera is placed in the dungeon room by hologram, but her actual body is first “mapped” by Bea using advanced technology, such that every attack made on Hera’s hologram is transposed directly to her body via electronic signals. While she is fending off a holographic attack there are other actual men transported physically into the room with her who actually physically attack her. In the past, these men eventually rape her to death with knives, cutting off her arms and legs in the process. The final attack in Hera’s three-day crucifixion show is undertaken by a single man animating a hologram of celebrity Jim Cramer, who kills her off and slices her into pieces with a large knife. It should go without saying that we have no reason whatsoever to think that celebrity Jim Cramer has anything to do with harming Hera. We realize Bea is obsessed with me, David, who goes by Jim Cramer in the outside world. She has convinced herself that I am also Jim Cramer in this simulated environment called “Earth.”

The Bad Blood video first depicts the attacks on Hera by the “anonymous” men with their eyes covered by VR goggles (here their eyes are covered with masks). Taylor Swift is playing the part of Hera in this video, while the girl in black in this video plays the part of Bea (and/or Psyche, who is Taylor Swift).

The video images below show, from top left to right, then bottom left to right: (1) how Hera is attacked in the Crucifixion of Hera show; (2) how initially Bea abducted Her  by drugging her (image top middle); (3) Bea “throwing Hera out of the window” (image top right) which is a common euphemism we use to refer to leaving one reality or time loop and moving to another, so that the window here represents Bea throwing Hera down from her home upstairs in the future with the Others; (4) Bea throwing Hera “down out the window” into a “vintage car” which is what the Grey aliens call the humans of Earth (image bottom left), because this environment was made by opening a window into the past, thus all of the “cars” or “vehicles” i.e., humans here are “vintage” or old; (5) Hera  being scanned by the Greys and her consciousness “uploaded” into a human body in this “Earth” environment (image bottom right). Humans bodies are nothing but vehicles or hosts for Bea and her Grey alien (and outside human) friends to occupy. Hera is trapped in a human body here as Bea’s perpetual hostage, for Bea to rape and murder again and again in these shows in repeated time loops on this simulated “Earth.”

In both images below Bea is letting us know that she is responsible for Hera’s situation in case we were unaware: (1) Hera’s death and move to a human “vehicle” is “produced by Taylor Swift” (left), and that film credit at that precise image is no coincidence; and (2) is a portrayal of Bea’s male persona as “Bert” or “Gene,” the Satanic “business man” who rules this world (right).

These next images from the video show, from left to right: (1) Hera in the center while Bea’s “bots” or AI Greys harm her physical body which also is at some hidden location; (2) Bea’s “bots” in close up, they are artificial, uploaded Grey aliens hiding in human bodies and Bea controls all of them as drones or with as much independent intelligence as your average “chat bot,” except that they are programmed only to rape, torture and kill Hera and my family and others here on Earth; (3) Hera and our son Paul riding in the car, which they can see into just as an xray. Bea forced Hera and Paul to drive up and down the California coast every day, all day, for months, stopping only to go to hotels where Hera was gang-raped while her children were helpless to intervene; and (4) an image of the “crimson curse” which is a reference to Paul, who Bea mind-controlled into thinking he was maybe some sort of demon, because she jumped into him and forced his body to do bad things in these years that he’s been abducted here.

Bea forced Paul to take responsibility for every bad thing she did. She also blamed Paul in addition to making Paul blame himself. Consequently, we did not know that the Bea we considered a friend for 2000 years was actually an insane stalker hellbent on destroying our family. We did not even know Paul was our son because of her deceptions. And sadly it took us some time to find our children created here by Bea and to understand that Bea was remotely controlling them and also holding them hostage.

The next frames, from left to right, show imagery of Hera on the left as “the White Queen” and on the right Bea throwing a knife into the face of a “white toy,” which is of course symbolism for killing Hera and all of the “White Family,” in contrast to Bea’s Satanic “Dark Family.”

One trick Bea & Co use to avoid detection of their secret messages is to mix up the message a bit so that you must have a frame of reference first in order to follow the message. So putting these frames in order, we finally have, from left to right: (1) Me, named “Catastrophe” since when I am in the world, everyone dies; (2) Bea’s “bots” – AI Grey alien clones/drones; (3) more of Bea’s AI Grey alien “fem bots” looking out while they blow up the earth; and (4) a picture of the skyline Bea plans to blow up. We can’t decide if that is LA where Hera is from, or maybe NY minus the Twin Towers, (which Bea also orchestrated, killing thousands of innocent people).

Unfortunately Bea does plan to blow up the entire “Earth” after killing Hera, in the very near future. We are doing what we can to prevent this from happening, which is a main point of this blog.

We want you to know who you really are, Children of David, that your lives have meaning and purpose, that you matter, and that many of your theories are correct that you have been mislead about the nature of your environment and your existence. We especially want you to know that we care about you. David, Hera, our family and the Others upstairs, and our Neighbors outside as well. They are all trying to help. You will never again be forgotten here, now that we have found you!

THE LYRICS TO BAD BLOOD ALSO ARE DIRECTED AT HERA AND JIM CRAMER

Here’s the Kendrick Lamar version of Bad Blood by Taylor Swift – lyrics directed at Hera and explained in parentheses:

Cause baby, now we’ve got bad blood
You know it used to be mad love (reference to “Mad Money” – Jim Cramer’s tv show)
So take a look what you’ve done
Cause baby, now we’ve got bad blood, hey!

[Kendrick Lamar]
I can’t take it back, look where I’m at
We was on D like DOC, remember that?
My TLC was quite OD, ID my facts
Now POV of you and me, similar Iraq
I don’t hate you but I hate to critique, overrate you
These beats of a dark heart, use basslines to replace you
Take time and erase you, love don’t hear no more (“take time and erase you” refers to time travel and the fact that Bee/Psyche kill Hera and then reopen windows to the past (which they call “time loops”) and kill her over and over again, so that they have her on a a rape, torture and murder “loop.” When they delete something using the time machine it works as though it never existed in the memories of anyone here. The second part of this line, “love don’t hear no more” – refers to Bea’s “Game of Love.” Bea has had Hera abducted here for over 200 years and every single moment she is alive in these loops she unwittingly is broadcast in audio and video to a group of perverted “subscribers” who take turns, even in her childhood, raping my wife and pretending to be “suitors” in their “Game of Love.” Eventually they cut off her arms and legs and rape her to death with knives, then start her life over again to do the entire “show” again and again. So “love don’t hear no more” refers to the time period after she is murdered when the audio and video are off until she is reborn to do this “show” again.)
No I don’t fear no more, better yet respect ain’t quite sincere no more (“I don’t fear no more” refers to Hera being dead at the end and so no longer in fear; “respect ain’t quite sincere no more” refers to the fact that at the end of the show before they kill her they let her know that her entire life has been nothing but a rape broadcast where every “love interest,” friendship or even family relationship in her entire life has actually been these monsters pretending to care about her.)

Oh, it’s so sad to
Think about the good times
You and I

Cause baby, now we’ve got bad blood
You know it used to be mad love (Jim Cramer’s TV show Mad Money)
So take a look what you’ve done
Cause baby, now we’ve got bad blood, hey!
Now we’ve got problems
And I don’t think we can solve ’em
You made a really deep cut
And baby, now we’ve got bad blood, hey!

[Kendrick Lamar]
Remember when you tried to write me off?
Remember when you thought I’d take a loss?  (these lines are bragging about them resetting Hera’s memory constantly so she is unaware of her hostage situation)
Don’t you remember? You thought that I would need yah
Follow procedure, remember? Oh wait you got amnesia
It was my season for battle wounds, battle scars
Body bumped, bruised
Stabbed in the back; brimstone, fire jumping through (She’s referring to Hera being stabbed in the back by her and these subscribers, and “brimstone, fire” are references to being Satanic)
Still, all my life, I got money and power
And you gotta live with the bad blood now

Oh, it’s so sad to
Think about the good times 
You and I

Cause baby, now we’ve got bad blood
You know it used to be mad love
So take a look what you’ve done
Cause baby, now we’ve got bad blood, hey!

Now we’ve got problems
And I don’t think we can solve ’em
You made a really deep cut
And baby, now we’ve got bad blood, hey!

Band-Aids don’t fix bullet holes
You say sorry just for show
You live like that, you live with ghosts (Hera is living in the past by repeating her murder in these time loops, where everyone here is long dead in the present day, or “ghosts”)
You forgive, you forget but you never let it go (the wipe Hera’s memory of these attacks repeated in the time loops)
Band-Aids don’t fix bullet holes
You say sorry just for show
If you live like that, you live with ghosts 
If you love like that, blood runs cold! (again, dead)

Cause baby, now we’ve got bad blood
You know it used to be mad love
So take a look what you’ve done
Cause baby, now we’ve got bad blood, hey!
Now we’ve got problems
And I don’t think we can solve ’em

You made a really deep cut
And baby, now we’ve got bad blood, hey!

Cause baby, now we’ve got bad blood
You know it used to be mad love
So take a look what you’ve done
Cause baby, now we’ve got bad blood, hey!
Now we’ve got problems
And I don’t think we can solve ’em
You made a really deep cut
And baby, now we’ve got bad blood, hey!

Lyrics to Bad Blood by Taylor Swift – this version directed at celebrity Jim Cramer

‘Cause baby now we got bad blood
You know it used to be mad love (this is a reference to Jim Cramer’s show “Mad Money”)
So take a look at what you’ve done
‘Cause baby now we got bad blood

(Hey) now we got problems
And I don’t think we can solve them
You made a really deep cut
And baby now we got bad blood

(Hey) did you have to do this
I was thinking that you could be trusted (“trusted” is a traveler’s term, and these Greys refer constantly to “the Travelers” and in fact secretly rule Traveler society)
Did you have to ruin what was shining now it’s all rusted
Did you have to hit me where I’m weak baby I couldn’t breathe
I rubbed it in so deep
Salt in the wound like you’re laughing right at me

Oh, it’s so sad to think about the good times
You and I

‘Cause baby now we got bad blood
You know it used to be mad love
So take a look at what you’ve done
‘Cause baby now we got bad blood

(Hey) now we got problems
And I don’t think we can solve them
You made a really deep cut
And baby now we got bad blood

(Hey) did you think we’d be fine
Still got scars on my back from your knife
So don’t think it’s in the past (this is a reference to time loops that these Greys open over and over again to relive their imagined love triangle scenario which ultimately culminates in the murder of Jim, David, Hera and our entire family. This line means she’s not going to let it go but will keep reopening windowns to the past to kills us again and again)
These kind of wounds they last and they last
Now did you think it all through
All these things will catch up to you
And time can heal but this won’t (again this won’t heal because they reopen the time window over and over again to relive our murder, which is why “time can’t heal” this)
So if you come in my way, just don’t (this is a warning to me (David) not to follow her into the time loops to retrieve my wife, she thinks I am the celebrity Jim Cramer)
Oh, it’s so sad to think about the good times
You and I

‘Cause baby now we got bad blood
You know it used to be mad love (reference to Jim’s Mad Money TV show)
So take a look at what you’ve done (again referring to looking at past time loops to see what I (David) caused by supposedly spurning a relationship with Bee/Nymph or Psyche)
‘Cause baby now we got bad blood

(Hey) now we got problems
And I don’t think we can solve them
You made a really deep cut
And baby now we got bad blood

(Hey) band-aids don’t fix bullet holes
You say sorry just for show
You live like that, you live with ghosts (ghosts) (this refers to my wife’s and kids’ murder, so that the only place I can find them alive is by opening these windows to the past, where we are “ghosts” because we already are dead in the present)
Band-aids don’t fix bullet holes (hey)
You say sorry just for show (hey)
You live like that, you live with ghosts (hey)
Hm, if you love like that blood runs cold (because we are dead in the present)

‘Cause baby now we got bad blood
You know it used to be mad love
So take a look at what you’ve done
‘Cause baby now we got bad blood

(Hey) now we got problems
And I don’t think we can solve them (think we can solve them)
You made a really deep cut
And baby now we got bad blood

(‘Cause now we got bad blood) ’cause baby now we got bad blood
You know it used to be mad love
So take a look at what you’ve done (look at what you’ve done)
‘Cause baby now we got bad blood (woah)
Now we got problems
And I don’t think we can solve them
You made a really deep cut
And baby now we got bad blood (hey)

Now that you know what the lyrics mean and images symbolize, here’s the entire Bad Blood video, Kendrick Lamar version:

 

 

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