Taylor Swift never goes out of "Style" because she's Zeena LaVey, Queen Bee of the Illuminati, and she jumps into younger clones of herself.

Bea fully occupies Taylor Swift, and seems to maintain and swap around several “versions” of her. Many people have noticed that there seem to be several different Taylor Swifts. That’s because there are. Still other people have noticed that Taylor Swift resembles Zeena LaVey, daughter of Anton LaVey.  Taylor Swift is a favorite Bea persona, which means that Bea jumps into versions of Swift and drives her around most of the time.  Bea can descend from upstairs into numerous, even hundreds of women and men at the same time.  Moreover, at some point several years ago Swift appears to have been swapped out in this time loop for another Swift from another time loop.  What happened to the old Taylor Swift?  Do her parents not notice that she looks different?  Is she just a holographic “reptilian.”  I don’t know.

What do you think?  Here are some of the Taylor Swifts of the time loops below. They look like several different women to me. But I could not tell you which time loop each version of Swift is from.

Below are comparison photos of Taylor Swift and Satanic Priestess Zeena LaVey, daughter of Anton LaVey. Both women are Bea personas.  More on LaVey in Hotel California. Although it seems “mean” to attack a defenseless young woman, she isn’t. She is the Head of the entire Family, including the Illuminati and the Travelers. She is Marina Abramovic of PizzaGate. She uses advanced technology to jump into younger versions of herself in other time loops, thereby staying forever young. In this way she “never goes out of Style.” See our Hotel California post for the famous picture of Bea cruising through Charlie Chaplin’s 1920s movie set for Circus talking on a cell phone, and wearing the same disguise (a matronly “Aunt Bea of Mayberry” favorite of hers), while starring on the Satanic cover art of Rush’s Moving Pictures album 6 decades later in the 1980s. Bea is the original Where’s Waldo? And currently, she’s all over us in this time loop as Marina Abramovic and Taylor Swift, among others. It is insane. But it also is fact. These are not theories of ours we are throwing out as ideas, our knowledge of Bea is personal. We’ve known her for 2000 years and at this point we can spot her just about anywhere. She’s Medusa. And all of her snakes can act independently while they still are connected to her real mind, which is safely ensconced out of reach of the law, “upstairs.” Because she literally is untouchable except for her interchangeable and to her disposable human “suits,” Bea has zero concern about being caught. She can cook spirits all day long in the Illuminati-run Pentagram Pentagon and brag about it casually in emails without a care in this World. 

Swift’s song “Style” is about how she and this James Dean character (a veiled reference to David) never “go out of style.” That’s because none of us grow old. Both Bea and David are on “Earth” from the Outside world, where you hook up to a computer system and enter a dream state to get “uploaded” in. I (Hera) am uploaded in because Bea abducted me upstairs, and we don’t know whether she has killed me Outside or has me in unconscious somewhere.  Either way, Bea kills me at around this time of my life in each loop, then blows up the entire time loop with an “alien attack” and we all start over in younger versions of ourselves in a new time loop. So Swift, Hera, David and a few of the Illuminati “Players” in Bea’s “Game of Love,” the object of which is to rape, torture and murder me, stay in style by being “forever young.”

Bea had been making it difficult for David to find me by moving me into different bodies in the time loops. But David has found me now.  And Bea always occupies her favorite human forms repeatedly, and many of those generally wind up being celebrities. Bea splits her personality up in many ways as well and in this way can be kind in some iterations and a terror in others. She’s both Aunt Bea from Mayberry, and Godzilla.  She’s Auntie Em from the Wizard of Oz and the Wicked Witch. She’s a mere mortal Grey in the Outside world. But she has hacked her way into our world and uploaded versions  of herself thousands of times. She can operate them all nominally simultaneously, or can operate dozens at once with a more hands-on approach.  This is how she winds up being Marina Abramovic and Kim Noble, and Taylor Swift, and numerous other people.  Her “husband” Kodiak also is uploaded hundreds of times and he turns up as a serial rapist and killer, and pedophile, in many.  He was driving OJ Simpson.  David Caradine, Gene Simmons.  Ted Bundy.  Charles Manson.  Jim Jones.  Other iterations of him are CIA operatives or government officials. So Kodiak ends up being Jimmy Comet, and George W. Bush. Probably both Bushes. Together they are Ti and Do of Heaven’s Gate, for fun.  You get more points in the Illuminati card game upstairs if you become a cult guru.  We realize this sounds nuts!  But that is what they are doing.  And the Illuminati humans upstairs also descend on the place but they may only operate as one or maybe a few personas.

Is there a human being under there in that body they drive around?  The answer is yes, sometimes, but their level of cognition varies. They can use technology on us to make us more compliant, more pliable. But some people embrace their interference. Others like Swift have long been instruments of Bea’s.  Many likely are just holographic overlays over a reptilian or Grey alien shape.  Often times you can see the holograph fade around the forehead, showing different eyebrow lines a couple inches above the human ones (right image below), under the skin. Some iterations of Swift have this, or have been filmed flashing the reptilian eyes briefly on the surface (left image below).

It’s confusing even for us because our belief is that human bodies and souls are sacred. We would not just jump around from human to human for entertainment. By the way they also can remotely control every last one of us with their technology. And I (Hera) have seen them do it to literally hundreds of people at once. It’s like passing a football stadium and having every person there stop and stare at you.  Undeniably occurring, but what on Earth!  This stuff is insane, but it also is true. We want people to understand what is happening to them. That you may do things that you don’t actually want to be doing.  Or find yourself wanting to be doing something that goes against your basic character.  This causes cognitive dissonance.  Once you accept that these things could be occurring to you, it’s much easier to avoid being manipulated or controlled.  We have a “buddy system” and constantly, several times a day, check to make sure everyone has their wits about them. She can briefly hypnotize you with remote technology and walk you right into traffic.  So realizing you are feeling disconnected from what your body is doing, or that your mind is enjoying something that your heart never would allow, will prevent you from being their tool. You have to fight to snap out of it!

Lyrics to “Style” by Taylor Swift, explained in parens:

Midnight, you come and pick me up, no headlights
Long drive (“long” refers to aliens, and to “drive” is to jump into a human being on Earth and steer them around as though they were a car.)

Could end in burning flames or paradise (sometimes Hera is murdered by being burned at the stake at the Traveler Gathering, after Bea labels her a “witch.”  I don’t know  what demonic Greys consider “paradise” to be but it comes up in a number of their songs.)

The end of you, oh, (uploaded versions of both of us – David and Hera – are murdered in each time loop)

It’s been a while since I have even heard from you (there’s a period of time after Hera’s murder and before she reappears in a new time loop where Bea limits the “Players'” access to Hera and they don’t know which human she’s place in.  Hera has her memory blocked or erased in each new loop and has no idea she is being preyed upon until the last Summer of her life, generally)
(Heard from you)
I should just tell you to leave ’cause I
Know exactly where it leads but I
Watch it go round and round each time (every time in the loops the uploaded versions of us are tortured and murdered, and also she forces us to “spin” our souls in order to defend them from her attacks.)

You got that James Dean daydream look in your eye (To descend into Earth’s environment from upstairs you have to go to sleep, so “daydream” refers David being uploaded into here from the Outside environment, and a “Day” refers to one lifespan of Hera’s before she is killed in a Time Loop.  So anyone going to sleep upstairs to come down here for Hera’s Truman Show life, and spend “the day” here, has that “Daydream look”)
And I got that red lip, classic thing that you like 
And when we go crashing down, we come back every time (every time we are tortured and murdered, and Hera’s time loop blown up by a pre-planned “alien attack,” and then Bea reopens a new window to the past or “time loop” to torture and murder us again)
‘Cause we never go out of style, we never go out of style (“we never go out of style” because we all spin our wheels living the same decades of life over and over again in these time loops. Hera and I are murdered before we get old, and Bea herself jumps into a new, younger “twinned” Taylor Swift in a new loop, among many other personas she jumps into)

You’ve got that long hair slick back, white t-shirt (“white” refers to David’s Family color of “White” and a “t-shirt” or “clothes” or a “suit” is what Bea calls a human body. She has zero regard for human bodies. They are just “vehicles” for her to jump into and have fun with. Unfortunately there are human beings upstairs with similar disregard for humans here on Earth. But Hera and David wear “white clothes” all of the time, that is our “Family Color”)
And I got that good girl fate and a tight little skirt (“fate” is a word Bea fixates on in many “skits” or “shows.” Bea has many Travelers convinced that she is a Black Magic priestess of some kind because of her use of advanced Grey technology. She plays up her magic, and the seemingly magical way she can control others, as the will of “the fates.”)
And when we go crashing down, we come back every time  (after dying in one loop we are resurrected into the next)
‘Cause we never go out of style, we never go out of style (Bea has been opening new time loops, by opening windows to us here in the past, to murder our family for somewhere between 200 and 800 years. Forever young.)

So it goes,

He can’t keep his wild eyes on the road
Takes me home,

Lights are off he’s taking off his coat (Hm yeah)
I say “I’ve heard that you’ve been out and about with some other girl”
(Some other girl)
He says “What you’ve heard is true but I
Can’t stop thinking about you and I.”
I said “I’ve been there too a few times” (a veiled reference to having done this same routine in several previous time loops)

‘Cause you got that James Dean daydream look in your eye
And I got that red lip, classic thing that you like
And when we go crashing down, we come back every time
‘Cause we never go out of style, we never go out of style

You’ve got that long hair slick back, white t-shirt
And I got that good girl fate and a tight little skirt (A tight little skirt)
And when we go crashing down, we come back every time
‘Cause we never go (We never go) out of style, we never go out of style

Take me home
Just take me home (“take me home” in upstairs terms means to die, the result of which is to reawaken back upstairs, “take me home” in downstairs Traveler terms also means to die.)
Yeah just take me home, oh
You got that James Dean daydream look in your eye (daydream because David came into Earth by going to sleep upstairs, which is called a “dream” and a “Day” is code for one of Hera’s lifespans)
And I got that red lip, classic thing that you like
And when we go crashing down, we come back every time (in a new time loop)
‘Cause we never go out of style, we never go out of style (we’ll never go out of style because Bea recycles herself into younger versions of her favorite people over and over again in the different time loops. David and Hera also are recycled but they are uploaded by Bea and moved to new bodies and have their memories blocked or wiped to make it difficult for them to find each other in the next loop.  Although David is here from Outside, he also uploaded himself in here to see what was going on. Bea has duplicated this upload which means there are a couple of uploaded versions of David, but also a David from the Outside world peering in through the window and talking to us from upstairs. He is here to help us and is not trapped in here because he is not just an upload here.)

Images from the video:

There is some useful imagery in the video to this song.  On the left below you can see white smoke billowing up inside of Swift’s silhouette, which is what occurs when a Grey alien occupies a human being’s body. They push in behind the human’s soul.  Notably one of the slang terms for a Grey alien is “smoke.”  On the right below you see trees growing up into the same area of a human body, which is a reference to the Two aliens. A slang term for them is “trees” or “ags” short for agriculture. We are told that these images actually depict what it looks like to be an “alien” inside of a human. We’ve seen video that we’ll try to post soon.

The image below on the left shows a necklace bearing an Illuminati triangle symbol.  On the right below is a seeing eye inside of an angel’s dress, which evokes some kind of Illuminati “angel.”

Illuminati necklace
Illuminati Eye, and Angel, Taylor Swift’s Style video

These images below I am including but do not yet know their significance. The man in the video (top left below) has two different colored eyes. The top right below is creased in the center which probably is a reference to mirroring, an important concept to the Illuminati, Bea’s club, which characterizes everything as good vs. evil, dark vs. light.  See our Hotel California explainer for examples of mirroring. The bottom image has three fold lines which is a reference to 3 that appears in nearly all of Swift’s videos. Three is shorthand for 666.  Other Swift songs and videos are much more direct in their references to attacking both of us in these time loops.  See Blank Space, Bad Blood, Better Than RevengeWildest Dreams and You Belong With Me, decoded.

Full Style video by Taylor Swift:


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