Tom Petty’s Videos Are Hideous Messages About Abducting Hera to the “Downstairs” or “Earth” Environment to be Raped, Tortured and Consumed, & About the Greys Attacking Earth

Illuminati Leader Kodiak was Tom Petty.  Kodiak is Denis, as it turns out, for you Travelers who know Denis. So everything Denis has done, or continues to say, know that it is Kodiak. 

In the first video, Kodiak shows off the following which matches other videos on this blog: 1. appearing like Satan, 2. drugging me, 3. throwing me “downstairs,” 4. holding me hostage in a tank of liquid as in his movie The Cell, (while also, ironically, telling me not to come back), and 5. killing and then consuming me like “cake” just as in the Marina Abramovic images and in his Katy Perry video called “Bon Appetit.”

Here are a few notable images from the above video.

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Supposed to Resemble Satan
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Throwing me “Downstairs” through a doorway with a Question Mark in it, which is Code for the Greys, meaning the Greys control the door to the downstairs.
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Drowning me in “the tank” while looking down from “above” or “upstairs”
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Consuming me like “cake” after I’m dead, or while I’m dying
Marina Abramovic’s “cake” shows (Kodiak’s Comet persona pal – see the posts about her)


In the second video, called “Last Dance With Mary Jane,” Kodiak as Tom Petty abducts me after I’m already dead, and then puts me in a wedding gown and puts makeup on my corpse to “dance with me” on my “wedding day” as the Groom.  This is part of his “Game of Love” that I’ve explained on this blog before.  It is what he calls my wedding day – on the day he has a bunch of human men here drug me, abduct me, and then rape and torture me to death. I don’t know if this video means I’ve been killed “upstairs” already but he claims that I haven’t, which means he still has the opportunity to let me out of this tank he calls Earth and not kill me.  By the way “Dancing” with me is just a euphemism for raping me – See what his dead victims are doing in his movie bragging about killing women called The Cell

Notable individual images from the video:

At 31 seconds into the above video the light on the right resembles a Panda mask, which is symbolic of his Panda Club of rapists and torturers.

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Compare to Kodiak’s Jimmy Comet persona’s Panda Club masks:



Here Petty’s put me in a “wedding dress” and put lipstick on me, and now he’s flashing the “Four” sign, which is his Traveler Four number, lava red, or hell-fire red. 

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Here he’s dancing with my corpse in a wedding dress, in a lava red room, which signifies Hell. Hell is Earth and Kodiak rules it as “Satan.”  Everyone trapped on Earth is “in Hell” and he considers everyone originating here to be “Dead.”  But all my life I have been called the living girl or “real Girl” as opposed to the dead down here, because I come from upstairs. So I hope this doesn’t mean he’s killed me upstairs but perhaps he already has. It also could mean that I’m already dead in the future even though I’m alive right now here in this present. 

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Here I am trapped in his hostage tank (“Earth”) in a wedding dress too in his movie The Cell. It’s been a long time, so I look old:

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Here’s Kodiak in his movie The Cell animating other dead women victims:



Notably, I’m alive in a water tank in the movie The Cell while the other victims are dead “in the basement” and being animated by mechanical means.

I do know he has my soul and body split amongst layers of time, as depicted in this image from The Cell below, because they actually are torturing me in these different adjacent strings of time and I can feel it, and it affects me. They play games with people using their ability to time travel in this way. Such as “Don’t Look Down” where a victim will look down and magically have no legs anymore because they go back into their past by a few minutes and cut them off. This is horrific torture. This morning they cut off one of my legs into the future. I felt them do it. I don’t know how far into the future they went. But at some point my right leg has been cut off. This really is true. That is what they are doing with “time travel.”  Here’s the image of what they have actually done to my body, although it is more like slices of complete layers somehow. I don’t know how to explain it. This image is a horse diced up in the movie The Cell, notice each slice of the horse is accompanied by its own clock, representing a different slice of time or adjacent string of time. They are doing this to me and other people as torture. Sliced up by opening time windows inside our bodies. Splitting my body into different time windows, then stretching those adjacent strings as torture, and torturing the parts of me in each slice. Except the slices of me are of the whole of me somehow, held together, not like a middle section, more like a top layer, like epidermal, subdermal, etc. in infinitesimally thin layers of the whole.

12 slices to this horse

If you are unaware that there are Grey Aliens here, and you are wondering what an alien visit will be like with their advanced technology, and whether they will be “friendly” and how they will behave, no they are not friendly, and the foregoing is an example of how they behave. They consume humans, are Satanic, and enjoy torturing people for entertainment. They aren’t studying us, they mutilate humans the same way they mutilate cattle and it isn’t for scientific learning, it is for fun. In fact they are cloning humans in order to mutilate and torture them, for fun. 

Here are two images from “Learning to Fly” to note. The first is a space ship:

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The second is the mushroom cloud in the beginning of the video, with three women doing high kicks in the foreground. Women doing high kicks is Code for a couple of different things. First, to the members of the Panda rapists club, it means “doing the splits” which is breaking a rape victim’s legs while gang-raping and torturing her. Second, in Grey Alien terms, “Women” is Code for the Greys, and having them do “high kicks” while a mushroom cloud explodes in the background should be self-explanatory, given our repeated warning here about the Greys plan to attack this Earth very soon. The women are wearing silver boots, which also is Code for the Greys. 

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Here’s that full video, although not much else is interesting except that it Petty is singing in The Graveyard, (for aircraft), which is a slang term they use for this Earth, because it is situated in a time window in the past and because it is slated to be blown up. 

Here’s two images from Tom Petty’s video for “You Got Lucky.” Once you understand the context of the situation, all of their hidden messages start to make sense.

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Here’s an image from “Into the Great Wide Open” that leads me to the concern that we may be miniaturized here in this Earth environment relative to the outside. For one, these Greys have the technology inside here to miniaturize people, and they use it. I’ve seen them use it. So are we miniaturized? I think that is likely, making it far less likely for us to be found. I once understood this to be likely and forgot, which is another tell-tale sign that this may be the case, as the Greys make people forget things they’d rather not have us thinking about. Look again also at the first video, (“Don’t Come Around Here No More”), which also plays with the fact that Petty is looking down on Alice in Wonderland, and keeps changing the size of her teacup. The Greys and Kodiak do that, changing the size of things. The Honey I Shrunk the Kids movies are mocking their practice, as is the movie Inner Space.

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And here’s more with “I Won’t Back Down” which points to the same idea that we are miniaturized in this environment. In this video Petty is standing over Earth and it is only about a third of his size. He also shows the the theme that he shows in many of his videos of “telling a story” by opening a book and showing live people on the pages. This represents the people on Earth. For each time loop of Earth Kodiak writes an actual script of how my life in particular is going to “play out.” He also is Elvis Costello and he literally “Writes the Book” like that song says. He murders me in each time loop and throws my soul into a new body in a new time loop, blowing up the old one along with its inhabitants. In the next loop I have a different human body, different parents, different upbringing, education, career trajectory, etc. This is the 13th time loop where he has killed me.  Anyway, here’s that video:

Here he is with “You Don’t Have to Live Like a Refugee” with the line that, “Who knows maybe you were kidnapped, tied up, taken away and held for ransom.” This like matches Taylor Swift’s lines about holding me hostage in “Ready For It,” decoded here.

Finally, this video is for “Running Down a Dream” which generally depicts the “Dream state” that the upstairs people enter into in order to visit the Earth environment. Humans here are the natives and the upstairs people prey on us as though we were robots in Westworld. It’s hard to explain, but that is what this video is depicting, although Travelers might also consider it to depict their own Dream state travels of sorts.

They tell me that they are planning to disappear me any day and I’ll be dead by Christmas. But they plan to torture my soul for several months beyond that. I think they still plan an “alien attack” on this Earth as a whole on Christmas morning, the day of my death. The lyrics to Roundabout, Long Distance Runaround, and American Pie spell it out.



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